December 6, 2019 ~ Sh VAYESSE. M AJAM.
1890-1964
Born in Aleppo, Eliahou Menaged studied with Rabbi Raphael Tabush and other expert musicians of his day, in the art of Hazzanut, Maqamat, Baqashot, and Pizmonim. He became a master in his own right. He emigrated to America as a young man, and served as cantor and teacher for over half a century. He was exceptionally generous in officiating on many occasions, especially on Shabbat and holidays.
He prayed daily at Knis Betesh on 64th Street in Brooklyn and, by day, made a living in a small factory where he made sheets and pillow cases. He had an excellent business reputation and a keen sense of humor.
His students include Mickey Kairey, Isaac J. Cabasso, as well as Rapahel Y. Elnadav and Gabriel A. Shrem.
| Section | Pizmon | Page | Song | Commentary | Recordings | Application |
|---|---|---|---|---|---|---|
| 0 |  |
 E Menaged Full Selihot (1952) |
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| Baqashot | 1 | 8 | אל מסתתר |  Abraham Maimom Maqam Hoseni Opening song of the Shabbat Baqashot. Hoseni. "El Mistater" is an allusion to Isaiah 45:15. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
|
| Baqashot | 2 | 9 | למענך ולא לנו | Maqam Bayat This song discusses redemption. Bayat. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
|
| Baqashot | 3 | 10 | יאמר נא ישראל | Israel Najara Maqam Rahawi Nawah Each verse ends with word "yom" (day). Nawah. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
שמחים |
| Baqashot | 4 | 12 | ימותי קלו | Israel Najara Maqam Sigah Sigah. Job 9:25. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 5 | 14 | אנא הושע | Israel Najara Maqam Sigah Sigah. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 15 | 24 | ארץ ורום | Abraham Ibn Ezra Maqam Saba Saba. Discusses the seven days. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 19 | 28 | אור עליון | Eliahu Hamaoui Maqam Bayat Bayat. Written by H Eliahou Hamaoui (1840-1915) for H Eliahou Dahab. Bayat. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged E. Menaged 2 |
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| Baqashot | 20 | 28 | עורו שירו שיר | Ezra Attiah Maqam Saba The acrostic on "Ouru Shiru" spells Ezra Hazak. The last line also bears the name of his father "Chazak...nechamot Yeshaya" ... Chai gam Ataya (Attia). Saba. Ezra Attia Manuscript Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
שמחים |
| Baqashot | 21 | 29 | יום זה שירו | Mordechai Abadi Maqam Mehayar-Bayat Written by H Mordekhai Abadi (1826-1883), grandfather of H Matloub Abadi. Mehayar-Bayat. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 22 | 30 | יום קדוש ומבורך | Raphael Tabbush Maqam Saba Petiha (introduction) written by H Rephael Tabbush (1830-1918). Saba. Tabbush Manuscript Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 23 | 30 | כי אשמרה שבת | Abraham Ibn Ezra Maqam Saba Saba. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
שמחים |
| Baqashot | 24 | 31 | אשתבח בתהלות | Abraham Sitehon Maqam Iraq Maqam Iraq. Written by H Abraham Sittehon (?-1816). Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
שמחים |
| Baqashot | 26 | 34 | אליו מי הקשה | Abraham Ibn Ezra Maqam Sigah Sigah. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 28 | 35 | יום זה לישראל | Isaac Luria Maqam Mehayar-Bayat Mehayar-Bayat. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
שמחים |
| Baqashot | 29 | 37 | יודוך רעיוני | Israel Najara Maqam Rahawi Nawah Rahawi Nawah. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
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| Baqashot | 30 | 37 | יה מסי כבין רחמנא אסי כביהון לעם דנא | David Yaaqob Pardo Maqam Mehayar-Bayat Aramaic. Mehayar-Bayat. Nawah. Mosseri-Kozli Manuscript Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
בפי ישרים |
| Baqashot | 31 | 39 | יודוך מלך | Mordechai Abadi Maqam Rahawi Nawah Written by H Mordekhai Abadi (1826-1883). Rahawi Nawah. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged |
אל ההודאות |
| Baqashot | 32 | 40 | 'אנכי שמי ה | David Dayan Maqam Hoseni Alluding to theTen Commandments. Hoseni. |
E. Menaged E. Menaged 2 |
אל ההודאות |
| Baqashot | 33 | 41 | עורי נצורה | Menashe Sitehon Maqam Rahawi Nawah Nawah. Written by H Menashe Sittehon (?-1876). Alludes the different Amidah of Shabbat blessings (Arbit, Shaharit, Musaf, and Mincha). By Menashe Sitehon. In honor of Ezra Rabia. Rahawi Nawah. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged E. Menaged 2 |
ראו בנים |
| Baqashot | 34 | 42 | רם אור גדול | Raphael Tabbush Maqam Rahawi Nawah Written by H Rephael Tabbush (1830-1918). Rahawi Nawah. Tabbush Manuscript A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged E. Menaged- Nishmat |
נשמת |
| Baqashot | 34.9 | 43 | מזמור שיר ליום השבת | Each verse chanted in a different maqam. During the Baqashot session, this is an opportunity to insert pizmonim within the appropriate maqam. |
E Menaged |
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| Baqashot | 41 | 48 | אני אספר | Mordechai Abadi Maqam Rast Written by H Mordekhai Abadi (1826-1883). Discusses the 39 Melakhot (forms of work prohibited on Shabbat). Rast. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E Menaged |
שמחים |
| Baqashot | 42 | 51 | מהללך ורוב גדלך | Mordechai Abadi Maqam Rast Written by H Mordekhai Abadi (1826-1883). Lists the seven heavens. Rast. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E Menaged |
נשמת |
| Baqashot | 43 | 52 | משמים שלום לעם | Mordechai Abadi Maqam Rast Written by H Mordekhai Abadi (1826-1883). Rast. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E Menaged- Naqdishakh E Menaged |
נקדישך |
| Baqashot | 49 | 57 | יודוך כל המיחלים | David Kassin Maqam Saba Written by H David Kassin (1789-1877). Saba. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged E. Menaged 2 |
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| Baqashot | 52 | 60 | יום ליום אודה | Israel Najara Maqam Sigah Sigah. A Z Idelsohn notes, 1923 Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E Menaged |
שועת עניים |
| Baqashot | 56 | 65 | מה נעים נאוה | Maqam Sigah Written by H Mordekhai Abadi (1826-1883). Sigah. Aharon Rahamim Hares Baqashot Manuscript, 1917 |
E. Menaged E. Menaged 2 |
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| Petihot | 82 | 98 | יפה קול ומטיב נגן | Israel Najara Maqam Tahir Petiha Attiah Manuscript |
E. Menaged |
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| Petihot | 83 | 98 | יסמר שערת בשרי | Israel Najara Maqam Awj-Oj Petiha |
E. Menaged E. Menaged 2 |
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| Petihot | 86 | 100 | יומם וליל | Raphael Tabbush Maqam Mahour Petiha Hamaoui Manuscript |
E. Menaged |
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| Petihot | 87 | 100 | יחיד צור שוכן ערבות |
E. Menaged |
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| Petihot | 89 | 101 | יודך כל | Raphael Tabbush Maqam Nahwand Petiha Hamaoui Manuscript |
E. Menaged |
|
| Petihot | 90 | 101 | ראשית לא ככל ראשית | Raphael Tabbush Maqam Hoseni Petiha Hamaoui Manuscript |
E. Menaged E. Menaged 2 |
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| Petihot | 93 | 102 | יום ליום | Raphael Tabbush Maqam Bayat Petiha Hamaoui Manuscript Tabbush Manuscript |
E. Menaged E. Menaged 2 |
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| Petihot | 95 | 102 | יה עדתי |
E. Menaged E. Menaged 2 E. Menaged 3 |
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| Petihot | 96 | 103 | רבים רדפוני |
E. Menaged E. Menaged 2 |
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| Petihot | 103 | 105 | לבי במזרח | Yehuda HaLevi |
E. Menaged |
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| Petihot | 105 | 106 | בן אדם |
E. Menaged |
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| Petihot | 105.01 | 106a | יפה נוף | Yehuda HaLevi |
E. Menaged |
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| Rast | 108 | 109 | חנון מרום | Raphael Tabbush Shabbat Bereshit. Hamaoui Manuscript Tabbush Manuscript |
E. Menaged E. Menaged 2 |
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| Rast | 110 | 110 | ידך עשת | Raphael Tabbush Hamaoui Manuscript Tabbush Manuscript |
E. Menaged |
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| Rast | 113 | 111 | ינהג לי | Raphael Tabbush |
E. Menaged |
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| Rast | 119 | 114 | אל יבול עלי | From the Arabic piece: "ElBolbol Gani Weqalli". |
E. Menaged |
קדיש |
| Rast | 125 | 116 | רפא צירי | Raphael Tabbush Refa Siri is a special composition written by H Raphael Tabbush A"H. The melody is attributed to a Judeo-Spanish song entitled "Triste Vida" (A Sad Life). The song has an acrostic of "Refael" and has been viewed as a prayer for good health. The first stanza of the song recognizes God as the ultimate doctor and healer. The song also contains a prayer for God to open the gates of mercy and to send freedom to our nation. The pizmon was used by H Moshe Ashear A"H (d.1940) for the PIZMON SEFER TORAH in 1940 for Shabbat Vayera because Abraham is thought to have been recovering from the Berit Mila at the opening of the perasha. Hamaoui Manuscript Tabbush Manuscript |
E. Menaged |
אל ההודאות |
| Rast | 127 | 117 | חי הזן לכל תמיד | Raphael Tabbush In honor of the wedding of Tabbush's student, Hayyim Tawil. |
E. Menaged E. Menaged 2 |
קדיש |
| Rast | 128 | 118 | רצה שירי | Raphael Tabbush |
E. Menaged |
|
| Rast | 129 | 118 | יאיר יזרח | Shalosh Regalim. |
E. Menaged E. Menaged 2 |
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| Rast | 130 | 119 | הנה זה עומד |
E. Menaged |
ממצרים | |
| Rast | 135 | 121 | מה נעים החתן | Raphael Tabbush Hatan. Hamaoui Manuscript Tabbush Manuscript A Z Idelsohn notes, 1923 |
E. Menaged |
ממצרים |
| Rast | 144 | 125 | מימים ימימה | Moses Ashear Ashear Manuscript |
E. Menaged |
שועת עניים |
| Rast | 145 | 126 | יה שמע תפלה | Moses Ashear Ashear Manuscript |
E. Menaged |
|
| Rast | 146 | 127 | מגן ישעי | Moses Ashear Wedding of Ezra Obadia Labaton. Circa 1920-25. Melody: "Trip a Trop a Tronjes." Performed again in over ten community synagogues when taking out the Torah on 7 December 2013, two days after the passing of Rabbi Ezra Labaton, spiritual leader of Congregation Magen David of West Deal, the grandson of Ezra Obadia Labaton. Ashear Manuscript Photograph of Rabbi Dr Ezra Labaton |
E. Menaged |
שועת עניים |
| Rast | 147 | 127 | מלך שוכן | Moses Ashear Ashear Manuscript |
E. Menaged E. Menaged 2 |
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| Rast | 148 | 128 | יחיד אל נורא | Moses Ashear Ashear Manuscript |
E. Menaged E. Menaged 2 |
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| Rast | 149 | 128 | תען לשוני ותגיד | Moses Ashear (Maqam Sigah). Ashear Manuscript |
E. Menaged E. Menaged 2 |
ממצרים |
| Rast | 150 | 129 | יה תן לי חנא | Moses Ashear Italian melody. Should be Sigah. For the groom, David Abraham Sutton. Ashear Manuscript |
E. Menaged |
שועת עניים |
| Rast | 151 | 130 | מלכי לעם איתני | Moses Ashear For the Hatan (groom), David Abraham Sutton. Ashear Manuscript |
E. Menaged |
כתר |
| Rast | 152 | 131 | אמר לו גואלי | Moses Ashear Ashear. In honour of the groom, Yosef Abraham Me'Eli HaKohen. Ashear Manuscript |
E. Menaged |
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| Rast | 153 | 131 | מבשר אתן | Moses Ashear In honour of the groom, Yosef Abraham Me'Eli HaKohen. Ashear Manuscript |
E. Menaged E. Menaged 2 |
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| Rast | 167.02 | 144a | אנא יה רם | Raphael Tabbush |
E. Menaged |
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| Mahour | 171 | 146 | רצה נא | Raphael Tabbush Salah Abd ElHai singing the Arabic "'Ishna WeShofna". This includes a Sama'i and Mawal. In 1939, Ashear used the pizmon Resseh Na on page 146 for Qaddish. |
E. Menaged E. Menaged 2 |
קדיש |
| Mahour | 184 | 152 | ידידי אמרו | Raphael Tabbush Arabic is "Fouadi Amro 'Agib," in Maqam Mahour, sung by the great Sheikh Yousef El Manyalawi. In 1936, Hakham Moshe Ashear used this for Qaddish of Perashat Toledot. |
E. Menaged |
קדיש |
| Mahour | 185 | 153 | אל בחסדך גאלנו | Raphael Tabbush Hamaoui Manuscript Tabbush Manuscript |
E Menaged |
|
| Mahour | 186 | 153 | נעימה לי | Moses Ashear Eli S Haddad. Ashear Manuscript |
E. Menaged |
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| Mahour | 189 | 155 | מלכי צורי יה ידידי | Moses Ashear Ezra Obadiah HaKohen. Same tune as the Syrian National Anthem of prior to 1936. Ashear Manuscript |
E. Menaged |
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| Sasgar | 200 | 163 | אסיר ביוקשי | Raphael Tabbush Assir El 'Eshq: In 1906, Daoud Hosni was granted the first prize at the Musical Congress in Paris, for the composition of his famous hit "Assir El' Eshq" أســير العــشـق. It is a song that still thrills enthusiasts of Middle-Eastern Music. |
E Menaged |
קדיש |
| Ajam | 205 | 168 | מלך רחמן | Raphael Tabbush Melekh Rahman (AJAM, page 168), or "Merciful King," is considered the ultimate wedding song. It was composed in Aleppo, circa 1897, by H Raphael Tabbush (d. 1918), for his close student, H Moshe Ashear (d. 1940), in honor of his wedding to Salha, the daughter of Mr Yaaqob Shamah. The acrostic is "Moshe" and names of family members (Moshe, Yaaqob, Shaol, Simha, Shelomo) are alluded to. The melody is from the Arabic song "Doom Ya Zaman." There are three stanzas in this song. The first two stanzas are from the point of view of the community; asking God to save the nation, and also to join in the happiness of the Hatan and Kallah on their wedding day. The third stanza, however, is from the view of the Hatan; asking to be blessed with the Blessing of Abraham. For Shabbat Vayesse, this melody can be applied in the prayers for Nishmat. The pizmon can be associated with this perasha, because we read about Jacob's wedding. Moshe Ashear and Family |
E. Menaged |
נשמת |
| Ajam | 206 | 169 | לעם חביב | Maqam Sasgar Arabic: Sayed El Safti singing "Bid'i il Habib" in Maqam Geharka. Hamaoui Manuscript |
E. Menaged E. Menaged 2 |
קדיש |
| Ajam | 220 | 175 | אל מלא הנחסר | Passover. |
E. Menaged |
אל ההודאות |
| Ajam | 234 | 186 | מי יספר חסדי האל | Moses Ashear Hedaya. Alludes to the Ten Sefirot that God used to create the world. It's melody is taken from the 1888 Princeton University song called "The Orange and the Blue." Ashear Manuscript Leaflet |
E. Menaged E. Menaged 2 |
נשמת |
| Ajam | 254 | 203 | יאריך ימים על ממלכתו | ישראל בן משה Shabbat Shofetim, because it mentions the blessing of longevity for a new king. Attiah Manuscript Abraham Sitehon Manuscript Mosseri-Kozli Manuscript |
E. Menaged E. Menaged 2 |
נשמת |
| Nahwand | 259 | 207 | לנרי ואורי | Raphael Tabbush Hanukkah. |
E. Menaged |
שועת עניים |
| Nahwand | 260 | 207 | אל אבי מחסדך | Raphael Tabbush |
E. Menaged |
נשמת |
| Nahwand | 266 | 210 | לעיר חנה דורשה דודי | Raphael Tabbush |
E. Menaged |
נשמת |
| Nahwand | 274 | 214 | יה נחלה המצחה | Raphael Tabbush |
E. Menaged |
קדיש |
| Nahwand | 283 | 219 | מה נעמו | Moses Ashear Moshe Ezra Shrem. Ashear Manuscript |
E. Menaged |
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| Nahwand | 284 | 220 | מלך רם | Moses Ashear Composed by Ashear in honor of the Tawil family. Music from CHOPIN. Wedding. Ashear Manuscript Photograph of Shaul, Joseph and Abraham Tawil |
E. Menaged |
שועת עניים |
| Nahwand | 289 | 225 | מה עצמו | Moses Ashear Wedding of Selim and Nizha Gindi. Photograph is courtesy of David Catton, grandson. Ashear Manuscript Photograph of Selim and Nizha Gindi |
E. Menaged |
קדיש |
| Nahwand | 290 | 225 | מאמר ותחנון | Moses Ashear Wedding of Selim and Nizha Gindi. Photograph is courtesy of David Catton, grandson. Classic song in Maqam Nawa-athar. It is a DOR by the name Ya Qamar Dar El 'Oyoun and this version is sung by Laure Dackashe. (Lor Dakash) Ashear Manuscript Photograph of Selim and Nizha Gindi |
E. Menaged |
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| Bayat | 309 | 242 | אני אגיד בקהל עם זו | Arabic: Ahd El Ekhewwa. DOR in Maqam Bayat. |
E. Menaged |
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| Bayat | 319 | 246 | מעזי אז כלה קץ | Raphael Tabbush Shalosh Regalim. Ma'Uzi, meaning 'the source of our strength', was composed to be sung during the three festivals when we are commanded to rejoice. It is based on Psalms 42-43 which are said throughout the Sukkot holiday. The words of the pizmon, like Psalms 42-43, are clearly tinged with longing, melancholy, and even pain. They remind us of the times when our hopes were raised, when we thought that redemption was at hand, only to have those hopes crushed. Only at the end does it conclude with hope of returning to the temple in the future during the three festivals. Commentary on Pizmon |
E. Menaged |
שועת עניים |
| Bayat | 321 | 247 | שא לזנוחך | |
E. Menaged |
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| Bayat | 345 | 265 | מלך צור עולמים | Moses Ashear Pre 1928 for Hebrat Qehal Qadosh Agudath Ahim. חברת אגודת אחים / Hebrath Agudath Ahim / The oriental Hebrew Aid Society and Congregation, 87 Eldridge Street, New York. Ashear Manuscript |
E. Menaged E. Menaged 2 E. Menaged 3 |
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| Bayat | 349 | 267 | הודך | Moses Ashear Wedding of Ezra S Tawil. Song is a mixture of Bayat and Hijaz. Ashear Manuscript |
E. Menaged |
נקדישך |
| Bayat | 356 | 274 | אל חי שוכן | Moses Ashear Maqam Kourd Paragraph 1 can be applied to El Hahodaot and Paragraph 3 can be applied to Qaddish. Appropriate for Shabbat Re'eh. Arabic is sung by Daoud Hosni. Ashear Manuscript |
E. Menaged E. Menaged 2 |
שמחים |
| Bayat | 358 | 276 | אל דורשה נפשי | Raphael Tabbush Tabbush Manuscript |
E. Menaged- Mimisrayim |
ממצרים |
| Bayat | 379 | 299 | אני לו אשיר | Moses Ashear Continuation of previous song. Abdel Wahab song EL NIL NAGASHI. The section that Menaged is using is minute 2:40 through 4:20 of the Arabic song. In the pizmon it's from the 5th line on page 300 (Malkekh Yinhar) until the 12th line (El Ahoub Yahel Lah). Leaflet |
E. Menaged |
שועת עניים |
| Mehayar-Bayat | 392 | 319 | מגן ועזרה | Moses Ashear Shames wedding. Alludes to the Ten Sefirot. |
E. Menaged |
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| Mehayar-Bayat | 393 | 320 | עירי בנה | Moses Ashear |
E. Menaged E. Menaged 2 |
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| Mehayar-Bayat | 398 | 324 | מלכי יוצרי | Moses Ashear Composed by H Moshe Ashear in honor of the wedding of Ezra Moshe and Nahmo Azar Cohen, on February 25, 1925. Photographs courtesy of descendents Jack and Ezra Azar. Ashear Manuscript Wedding of Ezra and Nahmo Azar 2-25-1925 Photograph of Ezra Moshe and Nahmo Azar |
E. Menaged |
שועת עניים |
| Mehayar-Bayat | 402 | 328 | ידידי יה נפשי טהר | Arabic is "Gadedi Ya Nafsi," sung by Saleh Abd El Hai. Maqam Hoseni. Ashear Manuscript |
E. Menaged E. Menaged 2 |
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| Mehayar-Bayat | 404 | 329 | מנת חבלי | Moses Ashear Franco. |
E. Menaged E. Menaged 2 |
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| Mehayar-Bayat | 406 | 331 | מלך הדור | Moses Ashear Maqam Kourd Wedding of Isaac Haim Massri; March 20, 1934. Leaflet |
E Menaged- Shavat |
קדיש |
| Hoseni | 407 | 333 | משמחי לב | Each stanza ends with the name "David." Attiah Manuscript Abraham Sitehon Manuscript |
E. Menaged E. Menaged 2 |
קדיש |
| Hoseni | 408 | 334 | דודי אתן | דוד חזק Attiah Manuscript Mosseri-Kozli Manuscript Yabess Manuscript |
E. Menaged |
קדיש |
| Hoseni | 416 | 339 | יה חסדך גלי | Raphael Tabbush Aseret Yeme Teshuba. |
E. Menaged |
שועת עניים |
| Ashiran | 431 | 354 | אני אשיר שיר | Ezra Moshe Soued |
E. Menaged |
שועת עניים |
| Saba | 452 | 375 | עליון רם גדול | Ezra Attia Manuscript |
E. Menaged |
נשמת |
| Saba | 453 | 376 | יהלל לאל נורא | Raphael Tabbush Acrostic 'Yizhak'. Tabbush Manuscript |
E. Menaged |
נשמת |
| Saba | 477 | 393 | אלי תמוגג | Raphael Tabbush |
E. Menaged |
ה' מלך |
| Saba | 487 | 401 | תדד שנת עיני |
E. Menaged |
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| Saba | 488 | 402 | רחום דל דאגי מני | Raphael Tabbush |
E. Menaged |
כתר |
| Saba | 489 | 403 | קומי יונה | Israel Najara |
E. Menaged |
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| Saba | 509 | 425 | אל מוכתר בכתר | Moses Ashear פיוט על סדר אלף בית אומרה- Alludes to 10 Sefirot. Ashear applies this tune often to Naqdishakh. Ashear Manuscript |
E. Menaged - Nishmat |
נשמת |
| Sigah | 515 | 432 | יצו האל | יעקב עבדי Alludes to the 10 Sefirot. Attiah Manuscript Yabess Manuscript Abraham Sitehon Manuscript |
E. Menaged E. Menaged 2 E. Menaged 3 E. Menaged 4 E. Menaged 5 |
נשמת |
| Sigah | 517 | 434 | ראש פעלי | Arabic: Eshfa'ouli. Sung by Muhammad Salim. |
E. Menaged E. Menaged 2 |
קדיש |
| Sigah | 518 | 435 | אתה מרום | Shalosh Regalim. Not clear if should be classified as Sigah. Some say Maqam Kuzam. Tabbush Manuscript |
E. Menaged |
קדיש |
| Sigah | 519 | 436 | יום יום אל שדי | יצחק חזק Attiah Manuscript Yabess Manuscript Abraham Sitehon Manuscript Mosseri-Kozli Manuscript |
E. Menaged |
נשמת |
| Sigah | 520 | 436 | עורי כלה |
E. Menaged E. Menaged 2 |
נקדישך | |
| Sigah | 522 | 438 | מלך רם ונשא | Moshe Ashkenazi Tabbush Manuscript |
E. Menaged E. Menaged 2 |
פזמון |
| Sigah | 523 | 439 | את כלה | Alef-Bet. Tabbush Manuscript |
E. Menaged |
קדיש |
| Sigah | 524 | 441 | יתברך שם האל |
E. Menaged |
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| Sigah | 525 | 441 | אשיש אל בך | This song is a DOR and the name in Arabic is 'Aziz Hobak. |
E. Menaged |
קדיש |
| Sigah | 526 | 442 | אנא הישר | Raphael Tabbush Hamaoui Manuscript Tabbush Manuscript |
E. Menaged |
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| Sigah | 528 | 443 | אל יצרני לעמל | Raphael Tabbush Maqam Awj-Oj |
E. Menaged E. Menaged 2 |
נשמת |
| Sigah | 533 | 445 | יה אוחיל | Raphael Tabbush Maqam Awj-Oj Hamaoui Manuscript Tabbush Manuscript |
E. Menaged |
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| Sigah | 535 | 446 | עזר היו לי |
E. Menaged |
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| Sigah | 536 | 447 | אדיר ונורא | Tabbush Manuscript |
E. Menaged E. Menaged 2 E. Menaged 3 |
קדיש |
| Sigah | 554 | 459 | אברך את | אלעזר Maqam Iraq Purim. This is the first pizmon that Gabriel A. Shrem has learned. Attiah Manuscript Sassoon Manuscript #647 Abraham Sitehon Manuscript Mosseri-Kozli Manuscript Shire Zimrah, Algiers, 1889 A Z Idelsohn notes, 1923 |
E. Menaged |
שמחים |
| Sigah | 555 | 460 | אלי צור ישועתי | David Yaacob Pardo Purim. Part of a much larger song. Discusses Purim and has many allusions to the story. Sassoon Manuscript #647 |
E. Menaged |
נקדישך |
| Sigah | 557 | 464 | אור גילה | Raphael Tabbush Purim. A song of praise and thanksgiving for God's deliverance of the Jews from Haman. The pizmon, by Refael Antebi (19th century), has allusions to the Megillah as well its midrashim. The Jews got saved from the evil decree after prayers. Shir Ushbaha, 1921 A Z Idelsohn notes, 1923 |
E. Menaged |
אל ההודאות |
| Sigah | 565.03 | 472a | אליך דודי אקרא | Shir Ushbaha, 1921 |
E. Menaged |
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| Hijaz | 574 | 478 | רבת שבעה | Raphael Tabbush High Holidays. Borrows the melody of the Spanish song "Mis Hermanos" ("My Brothers"). Tabbush Manuscript |
E. Menaged - Qaddish |
נקדישך |
| Hijaz | 583 | 484 | מהונך תעשר | Tabbush Manuscript |
E. Menaged |
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| Hijaz | 584 | 484 | אתוהי כמה רברבין | The first words of this pizmon are from Daniel 3:33. After seeing how God saved Hananiah, Mishael & Azariah from the furnace into which he had thrown them, Nebuchadnezzar praised God, 'How great are His signs! How mighty are his wonders! His kingdom is an everlasting kingdom, and His dominion is over every generation!' So too do the heavenly hosts praise Hashem above, but only after Israel declares His praise below, as the Talmud states (Hullin 91b) "The ministering angels do not sing praises above until Israel begins below". M. Nadaf |
E. Menaged E. Menaged 2 E. Menaged 3 |
נשמת |
| Hijaz | 585 | 485 | רוכב עבים | Raphael Tabbush Shemini Asseret. |
E. Menaged |
שועת עניים |
| Hijaz | 589 | 488 | עליון ונאדר |
E. Menaged E. Menaged 2 E. Menaged 3 |
כתר | |
| Hijaz | 590 | 488 | אור הנעלם | א''ב Tabbush Manuscript |
E. Menaged Another Recording - Hahodaot |
כתר |
| Hijaz | 591 | 490 | שמח נפשי | Shelomo Hazaq Arabic is : Qado Kal Mayas. |
E. Menaged Elekha Kamah- E. Menaged |
ממצרים |
| Hijaz | 592 | 490 | ראה בחלשי | Raphael Tabbush |
E. Menaged |
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| Hijaz | 594 | 492 | רנו גילו | Raphael Tabbush Purim. The pizmon opens up in happiness and calling for the rest of the world to recognize the miracle of Purim. The pizmon describes the miracles in the megillah. The middle of the pizmon talks about the hard times that Haman put the Jews through, but the pizmon ends with happiness; calling for the Messiah and the rebuilding of the Temple. Tabbush Manuscript |
E. Menaged |
נקדישך |
| Hijaz | 605 | 501 | אל השב | Moses Ashear Same melody as page 491. Ashear Manuscript |
E. Menaged- Full Shaharit |
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| Kippur | 612.11 | 511b | ודוי הגדול- מצות לא תעשה | Vidoui (Confessions) for Yom Kippur; recited in Arbit and Shaharit. Negative Commandments. Composed in Aleppo. |
E Menaged Selihot 1952 |
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| 2115 | 514r | יה שמך ארוממך | Yehuda HaLevi Rosh Hashana---Meant to be a Reshut for the Kaddish of Yosser---Meant to recognize the greatness of Hashem. |
E Menaged |
קדיש | |
| Selihot | 2135 | S2 | לך אדני הצדקה | Different pizmonim melodies to be transposed to this piece according to Sassoon Manuscript #647: אלהי אל תדינני, המבורך, אוחילה לאל, חביב אללה אליהו, במוצאי יום מנוחה, המרחם, ה' יום לך, בעוד לייל |
E Menaged Selihot 1952 |
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| Selihot | 2198 | S19 | עננו |
E Menaged Selihot 1952 |
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| Selihot | 2225 | 582 | סליחות | Benayahu #131 (Jacob R Mishaan, 1780) |
E Menaged Full Selihot (1952) |
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| 2260 | עלוז יעלזו חסידים | עזרא Maqam Sigah This pizmon was written by Ezra Attia in honour of Hazzan Hakham Shelomo Sitehon Didia Salama Rabia Ouri. Song for Purim. Ezra Attia Manuscript Shir Ushbaha, 1921 |
E. Menaged |
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| 2353 | שמח בני חתן נעים בן פרת יוסף | Maqam Hoseni Arabic melody: רקץ אל באן. Specifically applied to Nishmat on weeks related to Mattan Torah. Hamaoui Manuscript |
Nishmat - Menaged Nishmat - Menaged 2 E Menaged- Nishmat E Menaged- Naqdishakh |
נשמת | ||
| Selihot | 2374 | S14 | ה' מלך | Different pizmonim melodies that can be applied to Hashem Melekh in Selihot according to Sassoon Manuscript 647: אחות קטנה, חזקו וגילו מאחות קטנה, לך אלי תשוקתי, ה' בקול שופר, ה' בוקר, עת שערי רצון, שואף כמו עבד, שפעת רביבים, כל ברואי מעלה ומטה, יום זה לישראל, שבעה שחקים, יה עוז התאזר, יודו הגיוני, תרומם בת |
E Menaged Selihot 1952 |
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| 4086 | N3 | כי לה' המלוכה | The pieces of prayers that are sung chanted in the different maqamat. |
E. Menaged- Bayat Menaged- Zakhor (Sigah) E. Menaged: Hijaz |
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| 4094 | N4 | נשמת | Pillar #1 of Shaharit. Heavy musical style. |
E Menaged- Nishmat Ajam |
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| 4096 | N7 | אל ההודאות | Light musical style. |
E Menaged- Rast |
