April 25, 2018 ~ AHARE QEDOSHIM. M: BAYAT-HIJAZ.
| Section | Pizmon | Page | Song | Commentary | Recordings | Application |
|---|---|---|---|---|---|---|
| Baqashot | 1 | 8 | אל מסתתר |   Abraham Maimom Maqam Hoseni Opening song of the Shabbat Baqashot. Hoseni. "El Mistater" is an allusion to Isaiah 45:15. A Z Idelsohn notes, 1923 |
E. Sayegh |
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| Baqashot | 2 | 9 | למענך ולא לנו | Maqam Bayat This song discusses redemption. Bayat. |
E. Sayegh |
|
| Baqashot | 3 | 10 | יאמר נא ישראל | Israel Najara Maqam Rahawi Nawah Each verse ends with word "yom" (day). Nawah. A Z Idelsohn notes, 1923 |
E. Sayegh E. Sayegh Peticha |
שמחים |
| Baqashot | 4 | 12 | ימותי קלו | Israel Najara Maqam Sigah Sigah. Job 9:25. |
E. Sayegh E. Sayegh Peticha |
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| Baqashot | פתיחה | 13 | פתיחה - כימי |
E. Sayegh Peticha |
||
| Baqashot | 5 | 14 | אנא הושע | Israel Najara Maqam Sigah Sigah. |
E. Sayegh |
|
| Baqashot | 42 | 51 | מהללך ורוב גדלך | Mordechai Abadi Maqam Rast Written by H Mordekhai Abadi (1826-1883). Lists the seven heavens. Rast. A Z Idelsohn notes, 1923 |
E. Sayegh |
נשמת |
| Baqashot | 58 | 67 | 'דרשתי את שם ה | David Sitehon Maqam Mehayar-Bayat Mehayar-Bayat. |
E. Sayegh |
|
| Petihot | 82 | 98 | יפה קול ומטיב נגן | Israel Najara Maqam Tahir Petiha Attiah Manuscript |
E. Sayegh |
|
| Petihot | 90 | 101 | ראשית לא ככל ראשית | Raphael Tabbush Maqam Hoseni Petiha Hamaoui Manuscript |
E. Sayegh |
|
| Petihot | 105 | 106 | בן אדם |
E. Sayegh |
||
| Rast | 107 | 108 | מאמרי פי | Hatan. Hamaoui Manuscript Tabbush Manuscript Tabbush Manuscript |
E. Sayegh |
|
| Rast | 110 | 110 | ידך עשת | Raphael Tabbush Hamaoui Manuscript Tabbush Manuscript |
E Sayegh |
|
| Rast | 112 | 111 | רצני אבי ומלכי | Raphael Tabbush סימן רפאל Hamaoui Manuscript Tabbush Manuscript |
E. Sayegh |
|
| Rast | 121 | 114 | דלני מיד הזרי |
E Sayegh |
קדיש | |
| Rast | 122 | 115 | מה טוב כאישון | Raphael Tabbush For a Hatan that is a first born. Hamaoui Manuscript |
E Sayegh |
|
| Rast | 129 | 118 | יאיר יזרח | Shalosh Regalim. |
E Sayegh |
|
| Rast | 130 | 119 | הנה זה עומד |
E Sayegh |
ממצרים | |
| Rast | 155b | 132a | מעמי תשים | The melody is said to derive from Arab song famous during World War I period, titled "Mother, Don't Cry Over Me." Hebrew words: Shelomo Laniado. |
E. Sayegh |
|
| Rast | 167.02 | 144a | אנא יה רם | Raphael Tabbush |
E. Sayegh |
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| Sasgar | 200 | 163 | אסיר ביוקשי | Raphael Tabbush Assir El 'Eshq: In 1906, Daoud Hosni was granted the first prize at the Musical Congress in Paris, for the composition of his famous hit "Assir El' Eshq" أســير العــشـق. It is a song that still thrills enthusiasts of Middle-Eastern Music. |
E. Sayegh |
קדיש |
| Ajam | 206 | 169 | לעם חביב | Maqam Sasgar Arabic: Sayed El Safti singing "Bid'i il Habib" in Maqam Geharka. Hamaoui Manuscript |
E Sayegh |
קדיש |
| Ajam | 254 | 203 | יאריך ימים על ממלכתו | ישראל בן משה Shabbat Shofetim, because it mentions the blessing of longevity for a new king. Attiah Manuscript Abraham Sitehon Manuscript Mosseri-Kozli Manuscript |
E. Sayegh |
נשמת |
| 254.93 | אנא פדה יה | Maqam Ajam Melody is a Turkish march. Pizmon is by R Meir Waknin, 1882. Ana Pede Yah (Pizmon from 1882) |
 E. Sayegh: Haleluyah |
הללויה | ||
| Nahwand | 260 | 207 | אל אבי מחסדך | Raphael Tabbush |
E. Sayegh |
נשמת |
| Nahwand | 265 | 210 | אתה אל כביר | Raphael Tabbush The initials at the beginning of each stanza form the acrostic 'Ani Refael'. The song talks about Israel's redemption. The beginning of the pizmon has the composer turning to God to ask for mercy. The composer says that he will not stop praying until his prayers are accepted. He prays for the redemption of the Jewish people, the gathering of the exile, and returning to the Land of Israel. Tabbush Manuscript |
E. Sayegh |
נשמת |
| Nahwand | 293.3 | 228b | יפרח יה אבי |
E Sayegh |
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| Bayat | 302 | 239 | נורא ורם | Raphael Tabbush The pizmon incorporates the poet's name and hints at the shortest prayer in the Bible, "El na Refah na Lah", "Oh God, pray heal her now" (Numbers 12:13). The Text of this pizmon calls of God to "heal my sickness and pain". The pizmon also asks God to banish the "son of Hagar". Hamaoui Manuscript Tabbush Manuscript |
E. Sayegh |
|
| Bayat | 304 | 240 | אתה סתרי אל נורא אלי | Hamaoui Manuscript |
E. Sayegh |
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| Bayat | 310 | 242 | חנני מלך | Habib Tabbush Manuscript |
E. Sayegh |
|
| Bayat | 311 | 243 | שבחו אל רוממו | Hatan/Kallah. |
E. Sayegh Kaddish E. Sayegh |
נשמת |
| Bayat | 313 | 243 | אבוא אל ציון |
E Sayegh |
נשמת | |
| Bayat | 319 | 246 | מעזי אז כלה קץ | Raphael Tabbush Shalosh Regalim. Ma'Uzi, meaning 'the source of our strength', was composed to be sung during the three festivals when we are commanded to rejoice. It is based on Psalms 42-43 which are said throughout the Sukkot holiday. The words of the pizmon, like Psalms 42-43, are clearly tinged with longing, melancholy, and even pain. They remind us of the times when our hopes were raised, when we thought that redemption was at hand, only to have those hopes crushed. Only at the end does it conclude with hope of returning to the temple in the future during the three festivals. Commentary on Pizmon |
Vital Israel E Sayegh |
שועת עניים |
| Bayat | 373 | 293 | יחיד אלהי קדם | Moses Ashear Hatan Yehezqel Haim Shalom. Tishri 1929. Leaflet |
E. Sayegh: Haleluyah |
הללויה |
| Bayat | 391.02 | 318a | חביבי | Asher Mizrahi Maqam Kourd Siman: Asher. Lahan: Habibi Dah Habibi. |
E. Sayegh |
נקדישך |
| Saba | 453 | 376 | יהלל לאל נורא | Raphael Tabbush Acrostic 'Yizhak'. Tabbush Manuscript |
E. Sayegh |
נשמת |
| Saba | 463 | 383 | טל אל רפא | Raphael Tabbush Maqam Mahour |
E. Sayegh |
|
| Saba | 511 | 427 | רצני אהוב | Ezra Dweck and Gabriel Shrem In honor of Hakham Baruch Ben-Haim when his son, Eli Ben Haim was born. Also, a song for the month of Nissan. Leaflet Photograph of H Barukh Ben Haim |
E Sayegh |
הללויה |
| Sigah | 534 | 446 | ידידי למה | |
E. Sayegh |
|
| 663 | 318p | אדיר אל חוס | Maqam Bayat |
E Sayegh |
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| 2193 | 74 | קדיש | Maqam Baqashot |
E Sayegh- Ajam |
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| 4795 | ה' מלך על כל גיא ומתנשא | Maqam Nahwand |
E Sayegh |
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| 4796 | נהלל בקול זמרה | Maqam Ajam For a wedding. |
E Sayegh |
