Nahwand - نهاوند

Introduction

Nahwand - נהוונד - is named after a city in Iranian Kurdistan. This maqam was popular in Iran and Turkey before it made its way down to Syria and Egypt. This maqam was common among the Turks and Aleppo's close proximity to Turkey would account for a number of older pizmonim bearing Turkish musical origins.

Nahwand is the closest equivalent of the Western Minor Scale. The maqam is easy on the western ear and encompasses modern day Israeli tunes. There are many "Westernized" songs in this maqam.

In terms of perasha associations, this maqam is applied in cases of disharmony and conflict (i.e Vayesheb, Qorah, Matot, etc.).

Even though it is listed in the pizmonim book as a possible Shabbat maqam up to seven times a year, this is a new innovation. All older listings, both manuscripts and printed, fail to list Maqam Nahwand as an option. According to Arabic music scholars, this maqam was considered off limits for holy use until about 100 years ago when a well-respected Sheikh used it for the first time for religious chanting. Since that time it has begun to make roadways in Aleppo's Islamic and Jewish communities.

Nahwand tetrachord: starting on C

Index of Pizmonim

Section	Pizmon	Page	Song	Commentary	Recordings	Application
Baqashot	46	54	יה מלך רם	Yehuda Ezra Attiah Nahwand. Written by H Yehudah Attieh (?-1905). Consists of all the composers of the Baqashot.	Archives Y Nahari- Qaddish Ohabe Zion 1960	קדיש
Baqashot	66	73	אדון עולם אשר מלך	God's power over the world. Nahwand. A Z Idelsohn notes, 1923	G. Shrem G. Shrem - Odekha G. Shrem Choir	כתר
Nahwand	254.999	205	פזמונים במקאם נהוונד
Nahwand	255	205	שרים רוזנים	Wedding song. British Library Or. 10375	Fule Yanani Y. Bozo Recording I Cabasso Yosef Bozo - Qaddish	נשמת
Nahwand	256	206	אודה לאל	Raphael Tabbush Tabbush Manuscript	Arabic I Cabasso - Qaddish	קדיש
Nahwand	257	207	רצה לשירי	Introduction to the following song.	I. Cabasso Recording G Shrem	שמחים
Nahwand	258	207	בבית נאוה		Moshe Mustachi Recording Maury Blanco and the Aram Soba Orchestra
Nahwand	259	207	לנרי ואורי	Raphael Tabbush Hanukkah.	E. Menaged Recording Recording J Mosseri - EH	שועת עניים
Nahwand	260	207	אל אבי מחסדך	Raphael Tabbush	I. Cabasso E. Menaged E. Sayegh Recording Maury Blanco and the Aram Soba Orchestra	נשמת
Nahwand	261	208	ישמחו נא עם ישרים	Tabbush Manuscript
Nahwand	262	208	ארמוני יה נזנח	Raphael Tabbush Hamaoui Manuscript
Nahwand	262.1	208a	ירושלים של זהב	Naomi Shemer The pizmon "Yerushalayim Shel Zahab" (NAHWAND, page 208A), translated as "Jerusalem of Gold," is an Israeli song written by Naomi Shemer (1930-2004). This song, written in May 1967, became an unofficial second national anthem after Israel won the Six Day War (June 1967) and liberated Jerusalem. It's melody is based on the Basque lullaby "Pello Joxepe." The song originally had 3 stanzas but a fourth one was added after the Six Day War. The theme of the song is about the Jewish people's longing for Jerusalem. There is a stark contrast between the second stanza, which mourns over the sad, dry, and empty streets, and the amended fourth stanza, which celebrates the return to Jerusalem with happy streets full of life. Some say that the timing of the composition of this song is nothing short of prophetic. The melody of this song made its way to synagogue services and is usually heard transposed to various pieces of prayer around Yom Yerushalayim (28 Iyar).	Fule Yanani G Shrem Moshe Dwek	שמחים
Nahwand	262.2	208b	מרום אל רם	ASaban Bar Misvah of Moise Jacob Beida, June 1984. Composed by Abraham Saban Cohen.
Nahwand	263	209	עליון רם על כל הרמים	Shabbat Hazon.	Arabic J. Mosseri	קדיש
Nahwand	264	209	רצה רחשי	Tabbush Manuscript
Nahwand	265	210	אתה אל כביר	Raphael Tabbush The initials at the beginning of each stanza form the acrostic 'Ani Refael'. The song talks about Israel's redemption. The beginning of the pizmon has the composer turning to God to ask for mercy. The composer says that he will not stop praying until his prayers are accepted. He prays for the redemption of the Jewish people, the gathering of the exile, and returning to the Land of Israel. Tabbush Manuscript	E. Sayegh I. Cabasso- Nishmat G. Shrem G. Shrem 2 G. Shrem Recording R. Elnadav R Barzani- Qaddish Isaac Cabasso- Nishmat Isaac Cabasso- Qaddish R Elnadav Turkish Moshe Dwek Moshe Dwek - Nishmat Moshe Dwek - Rau Banim	נשמת
Nahwand	266	210	לעיר חנה דורשה דודי	Raphael Tabbush	E. Menaged G. Shrem G. Shrem Recording M Habusha Moshe Dwek - Qaddish Shlomo Antebi- Qaddish	נשמת
Nahwand	267	211	רם ונעלם אדון עולם	Raphael Tabbush Tabbush Manuscript	G. Shrem G. Shrem Recording Shabetai Laniado Moshe Dwek	שועת עניים
Nahwand	268	211	תכון לעד יפה יפה		Yosef Hamaoui G. Shrem Recording Recording I Cabasso I Cabasso Shabetai Laniado- HM Moshe Dwek	נשמת
Nahwand	269	212	רואה ובוחן לבב הכל	Raphael Tabbush	I. Cabasso Recording	נקדישך
Nahwand	270	212	רננות שירו אחי	Raphael Tabbush Tabbush Manuscript	I. Cabasso G. Shrem I Cabasso I Cabasso	שמחים
Nahwand	271	213	אחזה בנועם	Raphael Tabbush "Ehze BeNoam" (NAHWAND, page 213), translated as "I will gaze at the pleasantness of Your face," is a song written by master composer, H Raphael Antebi Tabbush (d. 1918). The 6 stanzas of the song form the acrostic: "Ani Refael" (אני רפאל). Though a favorite at the Shabbat afternoon Sebbits, this melody is almost never applied to any of the pieces of prayers. This composition describes what the author envisions he will do once he leaves the exile; dwelling in the House of the Lord, bowing in the holy sanctuary, and offering the burnt sacrifice in the Temple. He then asks for the Blessing of Abraham and not to be humiliated while in exile. He continues by asking for God to hasten the redemption for the Jewish nation. The battered Jewish nation, at times, feels "chained" (עגונים) in their exile, but finds comfort in their study of the Torah. The author asks God to accept the praises and songs of His beloved nation, because He is a merciful God that forgives transgressions and is eternally kind. Tabbush Manuscript	M Kairey Fule Yanani G. Shrem G. Shrem Recording R Elnadav Moshe Dwek	פזמון
Nahwand	272	214	אל חובי יסלח לי	Raphael Tabbush	Arabic Pizmon Naqdishakh
Nahwand	273	214	למה הקץ נסתם נא	Raphael Tabbush This pizmon (NAHWAND, page 214), whose title can be translated as "Why is the End Concealed," is composed by H Raphael Antebi Tabbush (d. 1918). The structure of this song is that it has five lines, and each one ends with a repeated chant of “Ne’eman, Ne’eman, Ne’eman,” or "Eli, Eli, Eli." In this song, the author starts by asking why the end of the exile cannot be revealed? But despite not knowing the answer to this difficult question, the Jewish people are nevertheless committed to remaining faithful, or “Ne’eman,” to the Almighty. The author continues by asking why his nation, Israel, finds themselves “locked up” in scenarios of sorrow and trouble? The author petitions that if it is because Israel is stained with sins, then those sins should be quickly forgiven, and God should revert Israel's status to “white as snow” (based on a reference from Isaiah 1:18). In the closing verse, the author requests for God to rebuild the Temple so that he, the author, can come and offer the 'Olah sacrifice to God, in order to thank Him for His overwhelming kindness. Regarding the melody of this pizmon, it is a very famous muwashshah called "Lama Bada Yatathana." Although the exact date of this melody is uncertain, in modern times, this melody has been recorded by many Arabic artists; including: Fairuz, Souad Massi, and Lena Chamamyan. The melody of this pizmon is also heard in Syrian synagogues when it is transposed to Naqdishakh on days when Maqam NAHWAND is applied to the prayers.	G. Shrem I. Cabasso- Qedusha G. Shrem Recording R Barzani- Naqdishakh Recording Moshe Dwek Moshe Dwek - Naqdishakh	נקדישך
Nahwand	274	214	יה נחלה המצחה	Raphael Tabbush	E. Menaged G. Shrem I. Cabasso- Qaddish G. Shrem Recording Moshe Dwek Moshe Dwek - Qaddish	קדיש
Nahwand	275	215	אודך אודך	Raphael Tabbush Tabbush Manuscript	I. Cabasso- Semehim G. Shrem Yosef Hamaoui G. Shrem Recording Moshe Dwek Moshe Dwek - Semehim / Mimisrayim Moshe Dwek - Naqdishakh	שמחים
Nahwand	276	215	רעיוני יחיד	Raphael Tabbush Hamaoui Manuscript Tabbush Manuscript	G. Shrem G. Shrem G. Shrem Recording Eliahou Ozen- Nishmat Isaac Cabasso- Rau Banim Moshe Dwek Moshe Dwek - Qaddish Moshe Dwek - Rau Banim Moshe Dwek - Qaddish	ממצרים
Nahwand	277	216	יבנה ביתו	Raphael Tabbush	I. Cabasso Recording Moshe Habusha	שועת עניים
Nahwand	278	216	רחום אתה	Raphael Tabbush "Rahum Ata" (NAHWAND, page 216) is composed by H Rephael Tabbush (Aleppo, ~1830 - Cairo, 1918), author of the "Shir Ushbaha" pizmonim book (1888). According to the notes of H Moshe Ashear, this song is reserved for Shabbat Beshalah (Shabbat Shira), and the Seventh Day of Pesah. There are 4 stanzas in this pizmon; corresponding to ר-פ-א-ל. The melody of this pizmon is called "Bafta Hindi," and can be applied to Mimisrayim on weeks of Maqam NAHWAND. "Merciful are You for redeeming us from captivity," the pizmon opens; referring to the captivity of slavery under Pharaoh. The second verse is a prayer to redeem us now and to send Eliahu the Prophet to herald the redemption. After we hear of the redemption, the third verse says that we will sing praises to God. The fourth verse mentions how on the seventh day after the Exodus, God rescued our nation by overpowering nature and splitting the Red Sea. Hamaoui Manuscript Tabbush Manuscript	I. Cabasso M Kairey Fule Yanani G. Shrem G. Shrem Recording Musa Camjagi- Semehim I Cabasso Moshe Dwek Moshe Dwek - Mimisrayim	ממצרים
Nahwand	279	216	יחיד רם חי לעולם	Isaac Abadi Dahab Turkish melody.	Yosef Hamaoui G. Shrem Fule Yanani G. Shrem Recording Moshe Dwek Moshe Dwek - EH Moshe Dwek - Rau Banim	אל ההודאות
Nahwand	280	217	בשם יי אקרא	Moses Ashear Rishty. Ashear Manuscript	I. Cabasso
Nahwand	281	218	מרים ראשי וכבודי	Moses Ashear Isaac Shalom. Ashear Manuscript	I. Cabasso
Nahwand	282	219	מה נמלצו לחכי	Moses Ashear For Hebrat Sha'are Sedeq which was the Synagogue on the Lower East Side. Written pre 1928. The tune is Turkish. Ashear Manuscript
Nahwand	283	219	מה נעמו אמריך	Moses Ashear Moshe Ezra Shrem. Ashear Manuscript	E. Menaged I Cabasso I Cabasso
Nahwand	284	220	מלך רם	Moses Ashear The pizmon “Melekh Ram” (NAHWAND, page 220), which translates as “Exalted King,” is a very popular song composed by H Moshe Ashear (acrostic: משה). It was composed in honor of the wedding of Mr. Joseph Ezra Tawil (alluded to in the third paragraph). Prominently mentioned in this song are Joseph’s three brothers: Abraham, Shaul, and Mordekhai Tawil; distinguished leaders of Congregation Magen David of Bensonhurst in the 1920’s. This individual, Joseph, ended up moving permanently to Mexico for business opportunities. In this song, we praise God for being the “Exalted King,” and we ask Him to send a savior and redeemer to his chosen nation. We also ask for God to raise our fortunes (with many happy occasions such as weddings) and return His children to their borders so that they can sing and praise Him for all eternity. The melody of this is from a “Chopin March." This melody is popularly applied to Shav’at Aniyim when praying in Maqam NAHWAND. Ashear Manuscript Photograph of Shaul, Joseph and Abraham Tawil	I. Cabasso E. Menaged G. Shrem G. Shrem 2 G. Shrem Moshe Dwek Moshe Dwek - SA	שועת עניים
Nahwand	285	220	אהלל ואביע	Moses Ashear "Ahallel Veabia" (NAHWAND, page 220), a pizmon associated with the festival of Shabuot, is composed by H Moshe Ashear (1877-1940). There are fifteen stanzas in this pizmon; all rhyming with one another. The acrostic of the pizmon is "Anokhi Hashem Elohekha, Lo Tahmod Asher Lere'ekha" (אנכי ה׳ אלהיך לא תחמד אשר לרעך); referring to the first and tenth commandments, respectively. The melody of this pizmon is called “Izmir Sefasi”; named after Izmir, Turkey. This pizmon is a poetic rendition of the narrative in Exodus 19 and 20; the narrative that discusses Israel's preparation, receiving, and acceptance of the Ten Commandments on Mount Sinai. The song concludes with a plea for God to listen to our prayers of returning the Jews to Zion so that they can live there in peace. The melody of this pizmon is traditionally applied to Halleluya (Psalm 150) on Shabuot, as well as on Shabbat Yitro and Shabbat Vaethanan. Ashear Manuscript	I. Cabasso- Halleluyah G. Shrem G. Shrem Moshe Dwek Moshe Dwek - Ahallel VeAbia	הללויה
Nahwand	286	222	מלך אב רם	Moses Ashear In honor of the birth of Joseph Bijou. Written by M. Ashear. Arabic is "Ya Dounia Ya Gharami", by Abdel Wahab. Ashear Manuscript	J. Bijou G. Shrem: Haleluyah G. Shrem Moshe Dwek - Haleluya Moshe Dwek - Nishmat	הללויה
Nahwand	287	223	יעלוזו ביה	Moses Ashear Shabot. Ashear Manuscript	G. Shrem G. Shrem Recording R Barzani- Shaveat Moshe Dwek Moshe Dwek - HM Moshe Dwek - SA , BY Moshe Dwek - Qaddish Moshe Dwek - Qaddish	ה' מלך
Nahwand	288	224	יה אל נורא	Moses Ashear Moshe Ezra Shrem. Ashear Manuscript	Arabic Maury Blanco	פזמון
Nahwand	289	225	מה עצמו	Moses Ashear Wedding of Selim and Nizha Gindi. Photograph is courtesy of David Catton, grandson. Ashear Manuscript Photograph of Selim and Nizha Gindi	E. Menaged G. Shrem I. Cabasso- El Hahodaot M Tawil (and next song) G. Shrem Recording Moshe Dwek Moshe Dwek - Qaddish Moshe Dwek - Qaddish I Cabasso - Naqdishakh	קדיש
Nahwand	290	225	מאמר ותחנון	Moses Ashear Wedding of Selim and Nizha Gindi. Photograph is courtesy of David Catton, grandson. Classic song in Maqam Nawa-athar. It is a DOR by the name Ya Qamar Dar El 'Oyoun and this version is sung by Laure Dackashe. (Lor Dakash) Ashear Manuscript Photograph of Selim and Nizha Gindi	Arabic- Lor Dakash E. Menaged Recording Maury Blanco
Nahwand	291	226	יעטר יה	Moses Ashear Wedding of Sam and Renee Esses. Shabbat Vayesse. Photograph is courtesy of grandson Ike Esses in Phoenix. Names of family members scattered throughout this pizmon. Photograph of Sam and Renee Esses	I. Cabasso Recording I Cabasso Moshe Dwek
Nahwand	292	226	יהלל אל רם ונעלה	Moses Ashear Wedding of Seyah M Ashear. April 2, 1939. Leaflet
Nahwand	293	228	יה לו אעתיר	Moses Ashear Wedding of Shelomo Harra; April 14, 1935. Leaflet	G. Shrem G. Shrem G. Shrem Arabic Recording	קדיש
Nahwand	293.1	228a	הרחב אולמי	Haim S Aboud	Arabic Recording Moshe Mustachi
Nahwand	293.2	228b	אני אשיר לך		E. Nahum M Tawil M Tawil 2 Recording	נקדישך
Nahwand	293.3	228b	יפרח יה אבי		E. Nahum Fule Yanani Arabic I. Cabasso- Qaddish Recording Recording E Sayegh	קדיש
Nahwand	294	229	מרום יחיד בלי שני	Moses Ashear Wedding of Joseph Moshe Ashear. Nisan 1931. Leaflet
Nahwand	295	230	צהלה וגילה	Moses Ashear Wedding of Saad Shames; April 6, 1933. Leaflet
Nahwand	296	231	ירומם צורי	Moses Ashear Ashear composed this pizmon in honor of the birth of his grandson Moshe to his son Yosef. The initials at the beginning of each main stanza form the acrostic 'Yosef HaCohen Hazak'. June 8, 1935. Leaflet	I. Cabasso I Cabasso- Semehim I Cabasso- Semehim 2 Recording Moshe Dwek	קדיש
Nahwand	297	233	אלי אנוהו ארוממנהו	Moses Ashear Ezra Abraham Husney (Levy) Bar Misvah. April 9, 1940. Leaflet	E. Marcus - Abdel Wahab	ה' מלך
Nahwand	298	235	מן שמיא חיש פורקנך	Ezra Dweck Arabic is Ensa El Donia.	Arabic: Ensa El Donia
Nahwand	299	236	כל עוד בלבב פנימה	Naftali Herz Imber This song (NAHWAND, page 236), also referred to as "HaTiqva" (The Hope), became the Zionist national anthem in 1897, and eventually, the Israeli national anthem in 1948. It's text was written in 1878 by Galician poet Naphtali Herz Imber (1856-1911), and it was published in a collection of his poems called Barkai (The Morning Star) in Jerusalem in 1886. There are seven stanzas to this poem, and they are all followed by the chorus ('Od Lo Abda Tiqvatenu- we still did not lose our hope). The melody of this song is derived from a number of European songs starting with "La Mantovana," a 16th century Italian song composed by Giuseppe Cenci, and it's melody was reused in a number of other folk songs throughout Central Europe. It was also used in "Moldau" by the Czech composer Bedrich Smetana (1824-1884) in his set of six symphonic poems celebrating Bohemia. Like many other pizmonim in our tradition, the theme of this song is the gathering of the exiles and the return to the Land of Israel. A translation of the first stanza is as follows: "As long as within our hearts, the Jewish soul sings. As long as forward to the East, to Zion, looks the eye." The chorus then continues "Our hope is not yet lost, the hope is very old. To return to the land of our forefathers, the land of Zion and Jerusalem." Using this melody for various pieces of prayers is well documented by H Moshe Ashear in the late 1930's. Currently, it has been adapted to Syrian Hazzanut for the melody of Barukh She'amar each Shabbat, and it can also be applied to other pieces of prayers, such as Semehim or Naqdishakh for the Shabbat prior to Yom Ha'Assmaut (Israel Independence Day).	G. Shrem G Shrem- HaTiqvah G. Shrem G. Shrem Moshe Dwek - Naqdishakh Moshe Dwek - Rau Banim	נקדישך
Nahwand	299.001	237	אנא בחסדך		I. Cabasso Recording Eliahou Ozen- Semehim
Nahwand	299.01	237a	מלכי צורי אל כביר	Haim S Aboud	I. Cabasso- Naqdishakh G. Shrem G. Shrem Recording Recording R Barzani- Nishmat R Barzani- Keter Moshe Dwek Moshe Dwek - EH Moshe Dwek - Qaddish Moshe Dwek - Semehim Moshe Dwek - Qaddish Moshe Dwek - Rau Banim
Nahwand	299.02	237b	החיש לצירך	Haim S Aboud	Yosef Hamaoui Recording R. Elnadav Isaac Cabasso- Qaddish R Elnadav Moshe Dwek Moshe Dwek - Qaddish Moshe Dwek - Yimlokh Moshe Dwek - Qaddish
Nahwand	299.03	237c	שאו ציונה נס ודגל	Early Israeli melody.	Recording
Nahwand	299.04	237d	רוממו לו בקול	Raphael Yair Elnadav Composed for the Bar Misvah of Ezra Tawil to the melody of "Inta al-Hubb", a popular Arab song performed by Umm Kulthum.	Arabic Recording Agudat Dodim (Buenos Aires)- Mimisrayim Moshe Dwek - Rau Banim
Nahwand	299.06	237f	הדור שומע	Raphael Yair Elnadav Jack D. Hidary Bar Misvah. Photograph of Jack David Hidary	J. Mosseri R. Elnadav
Nahwand	299.08	237h	חביבי אלי תמכת בי	Haim S Aboud	Recording Hebrew Recording Yaaqob Zeruq - Qaddish
Nahwand	299.09	237i	חביבי אל שוב למעונך	YMizrachi
Nahwand	299.1	237j	אל על שיר גיל נרון	Raphael Yair Elnadav Bar Misvah of Saul Ezra Ashkenazi. Composed by R Elnadav. 1984.	M Habusha Recording Beth Torah: Haleluya	קדיש
	299.101		באר ציון	Raphael Yair Elnadav	play pause M Habusha
Nahwand	299.102	237t	על הרי על הרי	Raphael Yair Elnadav Bar Misvah of Harry E Tawil. 1996. Composed by R Elnadav. Maqam Nahwand-Kurd	M Habusha Recording	קדיש
Nahwand	299.12	237l	אשיר אני שיר בחיבה	Abraham Cohen Saban	Albert Cohen Saban
Nahwand	299.13	237m	ירנן פי בשיר ותפילה	YNahari
	299.14		Oh How We Danced	Gabriel A Shrem Al Jolson Anniversary Song	play pause G. Shrem- Va'ani Tefilati play pause G. Shrem play pause Isaac Cabasso- Rau Banim	ואני תפלתי
Nahwand	299.16	237n	אשירה בקול שמחה	Rahamim Abraham Haber Bar Misvah. August 4, 1980.	Recording Qaddish- Rabbi Medina
Nahwand	299.17	237p	מלוא עולם נורא שמו	Haber Bar Misvah. March 13, 1982.	Recording
Nahwand	390.5	316a	הנה מה טוב	Abraham Cohen Saban Melody is "Sunrise Sunset".
Bayat	391.09	318h	לך אנה עורך	NLevy	Arabic Recording R Barzani- Qaddish Hebrew Recording Moshe Dwek - Qaddish Moshe Dwek - Qaddish	קדיש
	725	228q	נורא אל נורא		Recording
	726	228v	אני לך וממך		Recording
	727	228m	חביב אל עוזרי ביתך	Asher Mizrahi	Recording R Barzani- Hahodaot Hebrew Recording
	728	237x	יחיד ברך עם נבחרים	Haim S Aboud	Recording
	729	228z	אשיר לאל צור ידידי	Haim S Aboud	Recording
	731	228d	בחליל ותוף אשיר אני	Asher Mizrahi Siman: Asher. Lahan: Latif Illtaf.	Recording Recording
	761	228d	שלח נא יה לעם ידיד	Asher Mizrahi	Recording
	762	228d	יונתי עורי התפארי	Asher Mizrahi	Recording Hebrew Recording
	763	228g	החיש קבוץ נין אמה עניה	Asher Mizrahi	Recording A Mouhadeb- Qaddish Hebrew Recording
	764	228h	יה שבתי לך אל תרחק		Recording
	765	228i	ירד לו דודי לגנים	MMustacchi	Recording
	767	228k	חשבוני אויבי בעיניהם	Asher Mizrahi	Recording Hebrew Recording
	768	228l	ירושלים ירושה לנו		Recording
	769	228m	אלי שור עבדך אנין	Haim S Aboud	Recording
	770	228o	למה יתנגדו אנשי ערב רב	Asher Mizrahi	Recording
	771	228r	אלי חסרה		Recording Hebrew Recording
	772	228v	חומות ציון אקיפה	MMustacchi	Recording Hebrew Recording
	774	237w	אפצח את פי בקול תודה		Recording
	775	228u	גאה גאה ירה בים		Recording Hebrew Recording
	825	228u	יה זהר תן בית היכלי	MMustacchi	Recording Hebrew Recording
	826	228w	שירה נשיר ונהלל לך		Recording
	827	228q	אל בנה לי בית נאוה		Recording
	881	228c	שפתי לא אכלא		Recording
	883	228j	עיר חמדתי שוב	Haim S Aboud	Recording R Barzani- Qaddish Hebrew Recording
	884	228j	יה לבית ועדי		Recording Hebrew Recording
	885	228p	אחלה צורי יה	Haim S Aboud	Recording Hebrew Recording
	888	228s	יה חביבי אליך נישא	MMustacchi	Recording Hebrew Recording
	889	228y	יה אלי חוס	MMustacchi	Recording Hebrew Recording
	891	237v	אב רחמן בחסדך		Recording
	892	237y	שוב אל חביב		Recording
	893	237z	שמח אור נפשי		Recording Hebrew Recording
	894	228o	למה יה אבי	Haim S Aboud	Recording Hebrew Recording
	895	228s	ידיד נפשי		Recording
	896	237y	תן לנו תן לנו	MMustacchi	Recording Hebrew Recording
	897	237u	רצוני לעובדך	Raphael Tabbush Hamaoui Manuscript	Recording
	898	228f	שא אל טוב	Asher Mizrahi	Recording Hebrew Recording
	899	228e	שימוני משוש		Recording Recording Hebrew Recording
	900	237u	קום עם ידיד		Recording
	937		בעיר ציון אור ורעיון		play pause Recording
	942		ערב של שושנים		play pause Recording play pause R Barzani- Halleluya play pause Moshe Dwek - Haleluya play pause Moshe Dwek - Qaddish
	2332		רם אשיר לך סלה	Raphael Tabbush Hamaoui Manuscript
	2366		יה אלי הציל לעם ידידך
	2367		רצוני לעבדך תעיר טהיר
	2467		רצה להגיוני
	2468		יה אלי הצל
	2469		רצוף אהבה
	2470		ראה נא
	2472		יה עזרתי מן שמיא		play pause Hebrew Recording
	2474		אב הרחמן בחסדך תנהל
	2475		יגל יעקב ברנה
	2476		ארץ ציונה עלה נעלה
	2478		עירך כוננה אל נאמן
	2479		רחם עמך
	2480		יום יום מלכי	Shir Ushbaha, 1921
	2481		אתה יחיד רם גדול	סימן אני יוסף
	4032	228x	תנו כבוד לתורה		Recording R Barzani- Mimisrayim
	4387		יבחר הבוחר גוי
	4388		חמדת לבי יונתי תמתי
	4389		חן וכבוד יתן ה׳
	4390		אתה האל איב את אויבי
	4391		תולה ארץ על בלימה
	4392		חי עולם שוכן מעונים
	4393		אל מי אקרא לי לעזרה
	4394		עם בחר יה
	4395		יכלו עיני מיחל
	4396		אל אלהים אקרא
	4397		אלהי צדקי מנת חלקי
	4398		חשבתי דרכי איזו היא דרך ישרה
	4399		אל ארץ הכרמל
	4400		ישבית צור חרדת קרבות
	4401		ילאה נשוא לב עול שביה
	4402		דומי נפשי לאלהים
	4403		אל קדוש ישראל
	4795		ה' מלך על כל גיא ומתנשא		play pause E Sayegh
	4809		אדון יה רם על רמים	Ezekiel Hai Albeg Bar Misvah of Victor Didia. Melody of "Ya Dunia Garmi" (Arabic).	play pause Moshe Dwek - Rau Banim
	4810		יה פלאך יספרו	Ezekiel Hai Albeg Isaac Zaki Cohen.	play pause I Dayan
Nahwand	4872		בחג פורים	SUHV page 237-T. In honor of the Purim festival. Arabic is to the melody of "Port Said," by Mohammed El Bakkar.	play pause F Samra
	4879		שם במקום ארזים	Early Israeli melody.	play pause Hebrew Pizmon	קדיש
	4990		שירו שירו יחד	Shaare Zimra, Argentina book page 276. Shaare Zimra, Argentina
	4991		דר בזבולה החיש גאלה	דוד בוזלי Shaare Zimra, Argentina book page 273. Shaare Zimra, Argentina
	4993		לך אודה יחיד בכל לבבי	דוד בוזלי Shaare Zimra, Argentina book page 265. Shaare Zimra, Argentina
	4994		אתה עזור לי	דוד בוזלי Shaare Zimra, Argentina book page 260. Shaare Zimra, Argentina
	4996		מלא את ידי מטובך	אברהם קוץ Shaare Zimra, Argentina book page 259. Shaare Zimra, Argentina
	5090	228e	לארח חיים תודיעני	Asher Mizrahi Siman: Asher. Lahan: Tabieini Lia.	Hebrew Recording
	5570		אל חי דגול חביבי	Melody is called "Sawah."	play pause Ades- Rau Banim
	5738		צורי תומך גורלי		play pause Efraim Yehezqel - Qaddish
	5766		חי אל ענני	Daniel Binker-Duek לחן - עאיל
	5767		אספרה	Daniel Binker-Duek לחן - בלד אלמחבוב
	5769		האר רם לאורם	Daniel Binker-Duek לחן - יא גראם. מקאם עשאק מצרי.
	5774		עמי אל גאל	Daniel Binker-Duek לחן - ג'מיל גמאל. מקאם נואתר.
	5778		אל ברך חברתנו	Daniel Binker-Duek לחן - תעלני וגאל לי.
	5786		אספר חסדך	Daniel Binker-Duek לחן - יא מסאפר וחדך